HOLA AMIGOS, LES SALUDA CASEY INCA.
Argentine One of my most exciting discoveries in recent months has been distorted, instrumental quintet whose musical approach is a heavy experimental rock, played with a lot of nerve, expanded sound travel arrangements benefiting from consistent. His album "H" - released last year 2006 by Traveller Stationary - is a catalog of excellent pieces whose disturbing magic comes from the fast convergence of the following main influences: crimosnismo modern, post-rock (at his most embattled eg KAYO DOT), math-rock (with the DON CABALLERO), the Anekdoten "From Within". The presence of several relatives cadences jazz-rock and the rhythm section crucially help to capitalize on the inherent polenta musical ideas. The duo guitar provides constant coordination games to complement - rather than challenge - in their riffs and harmonies, but of course, there is also room for single well-armed in which the individual brilliance with a reasonably measured. In short, the work of keyboardist (who, among other things, rescues sounds hard electric piano and Hammond organ) helps fill in the blank, enter pleas, to complement the overall density created by their peers, increase the surreal aura of concern with its layers and embellishments. Deform is an ensemble in the truest sense of the word is the block that looks more in regard to the efficiency for creating and developing musical ideas at once complex and controlled.
This great discovery came early for there are soundclips on their website ( http://www.deformica.com.ar/ ) and in his MySpace blog (www.myspace.com / deformity ), but the real revelation began to realize when, a few minutes to get home and open my package of VI, and I put the disc I came across 'Final', the opening theme. This short sequence of dual guitar arpeggios so mechanical sustained by the double vibrant rhythm and keyboards subtly decorated with a proper notice was strong gale of mystery and power that I was coming. Then came 'New V', an album whose peak is marked by fierce vein guitars in their sound management of textures: the drummer shows a large pulse of time to handle changes dramatic environment. Another peak is the next topic, 'Mecafónica', which reveals more stormy and complex than before, with several passages that pass between the neurotic schizophrenic, the sharpness and pulsational. 'Spider Veins' and 'cramp' offer a lower dose of darkness but still maintain the consistent level of dynamism in the repertoire of the album - these two pieces I have just called delirium combine well archetypal KING CRIMSON and mysterious atmosphere of post- rock (as always, at his most powerful), showing deformed in a more compact and less deconstructive. 'Puppet' boasts a playful atmosphere that contradicts the initial reason neurotic nature, on the contrary, this playful agility allows elaborate guitar playing coquettishly on aggressive passages (much to the math-rock) and quieter, with which it concludes the issue . 'Puppet' contains what is perhaps the most impressive performance of the duet rhythm. The spirit of Hidralia 'reminds me of' New V ', particularly for its majestic psychedelic management polenta constantly emerging.
There interludes between songs (although additional ideas seem close to the track above). For example, There is an interlude consisting of a series of surreal effects of random shocks slide guitar strings, while others interludes are based on a pastoral sonata classical guitar or drum solo very far Canterbury. 'Sophism', the closing track, is a special case, as is a main reason that only lasts languid 2 ½ minutes, which is followed by a silent period and a jam surreal and subtly oppressive to Sigur Ros - is assumed that this jam is the epilogue, if we continue to apply the logic of the interludes that took place with all previous issues.
The h is silent in a standard letter, but this does not apply for this "H", which has a very explicit expression manifest as a way of experimental progressive music today. Deform is a name to be recorded in a prominent place on the agendas of progressive music lovers. To complete our approach to this band, we can also see his videos on Youtube in the following links: http://www.youtube.com/watch?v=mkPaDDGgKyI , http://www.youtube.com/watch ? v = Jam8TAc7TEI , http://www.youtube.com/watch?v=VfSuyGVwE8I - and convinced the public will find extensive audiovisual delight in these documents.
0 comments:
Post a Comment