Topics
1. It was only a dream
1. It was only a dream
2. We're here
3.
night Malandar 4. Paper Telescope
5. El Tren de Rota
6. Swing On A Sea
7. Free Spirit
8. Jumping into the Abyss
The ensemble just put Cadiz OMNI other artistic golazo this, his third film - "It was only a dream" confirms this sextet as a band champion in the prog genre in the Iberian Peninsula. Surely and steadily heading for the fields of lyricism and melodic candor, the group moves through its elegance with exquisite melodic ideas, ideas swiftly arranged through the interactions generated by the musicians in constant communion feel full all the time . In this way, the group opted for strengthening the elements Jumping to his almost legendary second work "The Waltz of the Fairies", matching the excellence of the time it surpasses it in terms of stylistic coherence. Alberto Márquez keyboards get a bigger presence in the sound block assembled by the band, while the rhythm section (drums-bass-rhythm guitar) takes a higher dose of power. For his part, Pepe Torres knows meddling vientista playfully among the contributions of the first guitar and keyboards with complete ease, sometimes creating a triangulation with them, sometimes scurrying to fill gaps with precision. In general, we note that the group has gained in dynamism and agility. It is one of those records that may well engage the listener from first listen for their color and elegance, and also for his energy - and to hear more thorough one can see details and mentally outline their own perception of sound expression contained in repertoire.
The album begins with the eponymous piece, which is basically a prelude occupied by dreamy ethereal piano chords and whistling effects similar to heaven, all floating through a lilting wind - it's like being immersed in the process of awakening to a new day, and certainly, the freshness and excitement of a new day is what appears to be 'we are Here ', a song of 5 minutes with an explicitly worded happy, which is announced head on the general spirit of most of the disc. GENESIS and CAMEL Aires, so recurrent as seminal influences OMNI sound, the band emerge to work with them as their own vision. After a first section calm and serene, "Night at Malende 'offers a more complex facet of its dynamism inherent in the second part, implementing additional elements inspired by CAI and MAGNET (another essential concerning the band) and operating with alternating bars in 11 / 8 and 5 / 4. With the resumption of the initial ceremonial serenity again for the final. 'Telescope Paper 'creates something of a compromise between the two earlier pieces - the sequence that goes from 2 to 4 tracks can be heard on run from a state of empathy, as the intelligent use of solos and guitar motifs and keyboards helps to enhance the evocative power of the melodies. But if we reach one of the peaks of evocation, we need not go further: 'El Tren de Rota "-inspired shows a reconstruction of the canons of traditional Andalusian rock, creating a soundscape where the symphony is enhanced tremendously cutting rhythms and jazz-rock nuances surround Arabic. If the parties can lead to more gay candid emotions and pleasant, the slowest us into contemplative environments armed with impeccable elegance, in relation to the latter, special mention may be made to those measured Torres sax solo exhibits in parallel with the phrasing (looser, somewhat influenced OLDFIELD ) of the guitar solo Starry. Until now, 'El Tren de Rota "and" Night at Malandar' are two separate peaks of a repertoire that, by itself, does not have any waste.
After the 10 ½ minutes 'El Tren de Rota' are all 9 of 'A Swing Over the Ocean', which shows most notably OMNI closer to prog-fusion, and naturally, it is handled from the realm of flamenco. Fluidly explores the rhythmic foundation while its potential jazzy guitar and keyboard in a duet persistently dwells in developing the main melody lines. With the emergence of a more relaxed interlude we have a new opportunity to appreciate the sensitivity of Torres to create favorable textures, that before the opening motif returns, with additional ornaments, lead to the issue to its final climax. 'Free Spirit' has the agility akin to pictures alluded to in its title: it keeps the glare that has characterized the more outgoing sections of the code above, prioritizing symphonic standards. 'Leap into the Abyss' gives closure to the album with an air of serenity, perhaps a bit mysterious, as if anticipating the arrival of the darkness of night. The touch of majesty provided by Starry only allows the disc to finish with a flourish. I conclude by saying simply that "It was only a dream" is a progressive enjoyed no more, no less - OMNI supply is given a name to remain firm in the English progressive movement. César Inca Mendoza
The ensemble just put Cadiz OMNI other artistic golazo this, his third film - "It was only a dream" confirms this sextet as a band champion in the prog genre in the Iberian Peninsula. Surely and steadily heading for the fields of lyricism and melodic candor, the group moves through its elegance with exquisite melodic ideas, ideas swiftly arranged through the interactions generated by the musicians in constant communion feel full all the time . In this way, the group opted for strengthening the elements Jumping to his almost legendary second work "The Waltz of the Fairies", matching the excellence of the time it surpasses it in terms of stylistic coherence. Alberto Márquez keyboards get a bigger presence in the sound block assembled by the band, while the rhythm section (drums-bass-rhythm guitar) takes a higher dose of power. For his part, Pepe Torres knows meddling vientista playfully among the contributions of the first guitar and keyboards with complete ease, sometimes creating a triangulation with them, sometimes scurrying to fill gaps with precision. In general, we note that the group has gained in dynamism and agility. It is one of those records that may well engage the listener from first listen for their color and elegance, and also for his energy - and to hear more thorough one can see details and mentally outline their own perception of sound expression contained in repertoire.
The album begins with the eponymous piece, which is basically a prelude occupied by dreamy ethereal piano chords and whistling effects similar to heaven, all floating through a lilting wind - it's like being immersed in the process of awakening to a new day, and certainly, the freshness and excitement of a new day is what appears to be 'we are Here ', a song of 5 minutes with an explicitly worded happy, which is announced head on the general spirit of most of the disc. GENESIS and CAMEL Aires, so recurrent as seminal influences OMNI sound, the band emerge to work with them as their own vision. After a first section calm and serene, "Night at Malende 'offers a more complex facet of its dynamism inherent in the second part, implementing additional elements inspired by CAI and MAGNET (another essential concerning the band) and operating with alternating bars in 11 / 8 and 5 / 4. With the resumption of the initial ceremonial serenity again for the final. 'Telescope Paper 'creates something of a compromise between the two earlier pieces - the sequence that goes from 2 to 4 tracks can be heard on run from a state of empathy, as the intelligent use of solos and guitar motifs and keyboards helps to enhance the evocative power of the melodies. But if we reach one of the peaks of evocation, we need not go further: 'El Tren de Rota "-inspired shows a reconstruction of the canons of traditional Andalusian rock, creating a soundscape where the symphony is enhanced tremendously cutting rhythms and jazz-rock nuances surround Arabic. If the parties can lead to more gay candid emotions and pleasant, the slowest us into contemplative environments armed with impeccable elegance, in relation to the latter, special mention may be made to those measured Torres sax solo exhibits in parallel with the phrasing (looser, somewhat influenced OLDFIELD ) of the guitar solo Starry. Until now, 'El Tren de Rota "and" Night at Malandar' are two separate peaks of a repertoire that, by itself, does not have any waste.
After the 10 ½ minutes 'El Tren de Rota' are all 9 of 'A Swing Over the Ocean', which shows most notably OMNI closer to prog-fusion, and naturally, it is handled from the realm of flamenco. Fluidly explores the rhythmic foundation while its potential jazzy guitar and keyboard in a duet persistently dwells in developing the main melody lines. With the emergence of a more relaxed interlude we have a new opportunity to appreciate the sensitivity of Torres to create favorable textures, that before the opening motif returns, with additional ornaments, lead to the issue to its final climax. 'Free Spirit' has the agility akin to pictures alluded to in its title: it keeps the glare that has characterized the more outgoing sections of the code above, prioritizing symphonic standards. 'Leap into the Abyss' gives closure to the album with an air of serenity, perhaps a bit mysterious, as if anticipating the arrival of the darkness of night. The touch of majesty provided by Starry only allows the disc to finish with a flourish. I conclude by saying simply that "It was only a dream" is a progressive enjoyed no more, no less - OMNI supply is given a name to remain firm in the English progressive movement. César Inca Mendoza
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