New Masterbation Tech

Santoña

This Sunday, accompanied by Javier Palazuelo, I took a tour of the Parque Natural de Las Santoña Marshes, Victoria and Jewel to unwind a little roll around Christmas.

First we went to the Depth of Laredo and there we saw a small group of auks that were very active, non-stop fishing.

also identified two loon loon boy and two large and one of these enjoyed a fishing haul in which he caught a flounder and after a hard fight is what got the crop. Chopped sandwich terns were almost on the shore,

and we also observe the following species:

- black-necked grebe

- Kestrel
- Magpies
-
crows - big Cormorant
- White Wagtail
- Stonechat (in the dunes)
- laughing gull (a fairly numerous fishing while several cormorants)

-
Gull - common Negrón
- Wigeon

Then we headed for the pond Gandarias in Cicero, stopping before in a meadow where we saw:
- Starling
- Cattle egret
- Little Egret (banded, we could not distinguish the numbers)

- Lapwing
- Urraca
- Chaffinch
- Goldfinch
- Song Thrush
- black-headed gulls (between cattle egrets and cattle egrets with)
-
Redstart - Cetti
- Common Buzzard
- Pipit

From here we went to the pond Gandarias and here began the show due to the variety of birds such as the quantity:
- Brant Geese
- Greylag
- Ansar fronted
- Curlew
real - Northern Shoveler
- Common Buzzard
- Pipit
- Lapwings (one side big enough)

- Golden Plover (associated with lapwings)
- Loon (in the pool overlooking the field futbol)

- Teal
- Sacred Ibis (photo textimonial)

-
Common Coot - Common Sandpiper
- Tufted Duck
- Heron
- Gadwall
- little grebe
- Little Egret
- Airplane rocker
-
Godwit
From here we dirimos to the area Monteano quarry overlooking the canal and we saw:

- Common Redshank
- Redshank clear
- Mallard
-
Eurasian Curlew - Whimbrel
- Shelduck (a small group of about 8 individuals)
- Greylag
- Ansar fronted
-
Godwit
And to conclude, and since it rained, we went to the new park visitor center natural opened this year and there joined us on the visit and Juanjo Aja Fombellida Isidoro giving all kinds of explanations on the facilities.

Red And Blonde Chunks

Gallocanta

Veleta

This past weekend, from 13 to 15 November, I have been together with some friends in the Gallocanta village, Teruel, with gaps of the same name . The purpose of the trip was, apart from meeting beens, watching the cranes in the lagoon, especially the exit and entry to it, with the dawn and dusk. Also going with a few children, which I hope they have been recorded this magnificent show forever.

introduction, indicate that the Gallocanta Lake is the largest lake endorrheic the Iberian peninsula and the main western European salt marsh.
http://es.wikipedia.org/wiki/Lago_endorreico
has a considerable size seven and a half miles long and a width of two miles and a half. The depth could be about two meters in rainy periods.

Nature Reserve Lagoon Gallocanta hosts numerous waterfowl and is the main crossing point in Western Europe for the crane, which have been given maximum concentrations of up to 60,000 copies.

Map Gallocanta

Well, we arrived on Friday evening 13 and talking with the owner of the cottages where we stayed, we recommended that the next day we were before sunrise observatory THE HERMITAGE, since the days before the cranes had left the lagoon where to stay, to their places of refreshment, taking the direction of the West and this was the best place to contemplate. Truly, it is a spectacle without parallel, and although he had heard recounting the experience to many people, there is nothing like being there and hear the trumpeting of 20,000 cranes out endlessly of the lagoon.

Observatory Sunrise from LA ERMITA

Once out most of the cranes, we headed to the Interpretation Center of the lagoon, which is located between the towns of Lathes and Bello, and we were told they were doing guided tours around the lagoon. What was our disappointment when we learned that all groups were crowded, as people had booked online in advance. We visited with the local kids the Center, with lots of educational games and a video projection and the center manager advised us where see the cranes with a certain calm. Right there

have a turret several meters high, overlooking the lagoon, where we saw a marsh harrier hunting in a set and a female Montagu's harrier or pale, knew not distinguish well.

After an hour or so, we went to the observatory of the ditch, near the village of Las Cuerlas.

Observartorio LA REGUERA

seems that there is a natural upwelling of fresh water and the cranes who come to drink once they have fed. There were lots of them, but they were very nervous and took flight at the slightest noise. Is clearly not used to being the object of attention of many people. Attached several photos taken from the observatory:

New generations of ornithologists

From there, we returned to the Gallocanta town to eat, to return to prepare for the return of the cranes to the lake for the night and again was a real spectacle.

The next day we suffer a range of low and only the fans repeated the dawn turned to repeat the same show again. According to a census conducted on Thursday, 12, was in the lake about 20,000 cranes at night. I attached a picture of the results of the census, which was hanging in one of the lodgings:

cranes Census

Gallocanta from LA ERMITA

birdwatchers

Nothing to see who comes to life, it's worth.

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Electric Box Box Leve 41

evocations Senogul sound - a gem metaprogresiva 2009

ZAFRETH HELLO FRIENDS, LES SALUDA Cesar Mendoza.

now to be ending in July, back to this blog to talk about "Concert For Evocation Sonora Ensemble, Senogul second play phonograph, English band that embodies one of the strongest progressive proposals contemporary. After giving their debut self-titled 2007, a catalog of exquisite eclectic where lived the symphonic, fusion and psychedelia, "Concierto De Sonora Ensemble Evocation" emerges in 2009 as a delight of magnificent scale, a disc carrier peculiar magic where the group looks both perceptual lucidity sonic deepest roots as its architectural wisdom on the musical articulation.

The fact that the quintet has enjoyed an enormous amount of staff and has not followed a common structural pattern in all matters of repertoire used to finalize the trip rich sound that the group had planned for this second album. World-music elements, fusion and ambient are the most recurrent in this masterly evocation exercise sound envelopes are shown praying, now become suggestive, sometimes indulges in resources and surreal dreamscapes. 'Itamaracá' opens the album with a warm candor supported on accordion and baritone sax, even though a reprise of the same subject with accordion solo will close. In the meantime, we find great multicolored displays. There are issues of predominantly percussive mood in which questions are explored ritualistic and celebratory, as in 'Seven Moons (The Song of Wanderer) 'and' Terra-Terreiro '. We also have a theme like 'Swaranjali (Sangama Mantra)', the prologue and epilogue are focused on a plea of \u200b\u200bzither, while much of its central body is occupied by a slow psychedelic motif in which a subtle guitar provide an effective crimsonianas gray air density, nothing shocking. 'De Nooijer' begins with an ethereal atmosphere, which conveys a melancholy space finally lands in a calm and enveloping symphonic climax. 'Vigil in a permanent state' and 'Lughnassad' are practically pure embodiments of the dreamy, soft and mysterious levity flow of human thinking in the service of sound, cutting-edge musical resources as cloth prepared sheets that envelop our minds that we call limbo inscrutable world.

"Concierto De Sonora Ensemble Evocation" is a beautiful and mysterious album, a sonic exhibition against which the words are vain, and that includes the same review he writes a server. Anyway, I hope at best be called a little attention from readers in order to express my total appreciation for Senogul and his work. Strongly recommended!

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"Part the Second" - great contribution progressive maudlin of the Well for 2009

ZAFRETH HELLO FRIENDS, LES SALUDA Cesar Mendoza.

maudlin of the Well, and is called a progressive American avant-garde ensemble, in fact, is one of many projects run by the multi-instrumentalist (primarily guitar) Toby Driver. Having managed a precious work within KAYO DOT last year with "Blue Lambency Downward", now part of maudlin of the Well quintet gives us "Part the Second" in order to provide an airy and colorful artistic excellence to rock 2009. As the group likes to lowercase the initial letter of the first word is sometimes used to describe the diminutive mofW this assembly in question. The sound spectrum of this nuclear group aims to always maintain high doses of delicacy, not really tending magnificent trappings and pomposity patents but rather ingenious textures and moods of autumn cut, almost phonographic surreal.Con a career that began in 1996 and after passing product of disbanding a hiatus occurred in 2003, "Part the Second" is the fourth official album of the group (which has also released several demos before), and can be downloaded directly from the website of MOTW in various formats - for more details please consult link http://www.maudlinofthewell.net/downloads.html

'Excerpt from 6, 000, 000, 000, 000 Miles Before the First (Revisitation of the Blue Ghost) 'opens the album with almost 11 minutes of ethereal delight where the dull light of early evening and the mist final evening preceding the alternate latent and / or combined in a totally fluid. The intimate atmosphere is duly reinforced by the string arrangements and beautiful acoustic guitar solo, thus making stern whisper song that emerges in several passages. At the fifth minute and a half, the instrumentalists are enshrined in a well-sustained crescendo climax which does not last long, really, but that opens the door to retake the central motif with an extra touch of lysergic psychedelia, much to the "indie ". 'Another Excerpt - Keep Light Near You, Even When Dying' begins as a distant dream conjured led by the baritone violin architecture and synthesized music box, before the arrival of the battery make the entire assembly provides a rate-jazz rock for the development of a majestic occasion, almost symphonic. The guitar solo is powerful, getting to show off properly before the emergence of an alternating basis syncopated and more constrained. The coda is in a display of mystical melancholy. 'Turning to Rose Quartz Glass' sounds like a combination of chamber-rock and fusion, cleverly exploiting the softer side of the river despite being only a guest, Mia Mtsumiya lavish so much in their statements to the violin. The final parts are focused on a display not too complex but strikingly nimble progressive rock modern vibration powered. Although it might not seem obvious at first, the next topic 'Clover Garland Island' applies enough space to keep the momentum inherited from the previous issue. The presence of an interlude based on guitar chords Spartans and strings floating space provides an important introspective before they enter the battery to enhance things for a while, but the core remains conclusive solid piece of nostalgia. Finally, the last 11 minutes and peak of the album is occupied by 'Laboratories of the Invisible World' theme easily designable as the pinnacle doubt. Beginning in slow rhythmic parameters, the piece does not take long to expand in a shift towards explicit atmospheres and rhythmic developments versatile. Bombastic density manages to express a kind of mystical anger, it feels as cosmic as robust. The coda is resolved by way of a Mogwai Tortoise or locked in a soundtrack for a David Lynch film, but certainly it shows that we are enjoying the style of MOTW. The beautiful piano passages that culminate this track and the album, we hear a pristine aura of distinction.

Play "Part the Second" is a highly recommendable experience for any discerning music lover, and especially for any progressive music lover obsessive as this writer. Maudlin of the Well is a band to discover, if he has not done that yet.

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Gentle Giant - Under Construction in Lima

Boxset/Compilation, released in 1997Songs / Tracks Listing
Disc 1 - Entirely Unreleased Material 1. Radio Bit (0:13) 2. Freedoms Child (3:57)3. Hometown Special (4:24) 4. Weekend Cowboy (3:46) 5. Bringing Me Down (5:50) 6. Nothing At All (8:23) 7. RONDO: Playing the Game (1:33) 8. DVS Guitars (6:28) 9. Robin Hood (1:40) 10. Interview Whispers (1:04) 11. Interview - Live (7:00) 12. Timing - Live (9:49) 13. Unreleased Civilian track (4:59) 14. You Haven't a Chance (4:12) 15. Sample Archive - freely usable (9:18) Disc 2 - Demos and Out-takes 1. The House The Street (1:50) 2. Prologue (0:40) 3. Schooldays (2:54) 4. Peel The Paint Demo (0:22) 5. Peel The Paint Studio (4:22) 6. Mr Class & Quality (3:02) 7. Advent of Panurge (0:56) 8. "SHH" (0:15) 9. An Inmates Lullaby (3:37) 10. Way of Life (7:07) 11. Experience (6:51) 12. So Sincere - Demo (3:30) 13. So Sincere - Studio (3:28) 14. Intro 74 (2:29) 15. Cogs In Cogs (1:43) 16. Intro 76 (1:44) 17. Just The Same (1:34) 18. Free Hand (2:58) 19. Time to Kill (3:32) 20. Interview Demo (2:02) 21. Give It Back (2:23) 22. Design (0:46) 23. Another Show (2:24) 24. Empty City (3:36) 25. I Lost My Head - Demo (2:31) 26. I Lost My Head - Studio (1:41) 27. Convenience (1:03) 28. Freedoms Child - Demo (3:18) 29. Kerry (0:01)

Total Time: All this on two CDs packed with nearly 150 minutes of music.

Line-up / Musicians
- Gary Green / all guitars

- Kerry Minnear / keyboards, vocals

- Derek Shulman / vocals

- Ray Shulman / bass, acoustic guitars, backing vocals

- John Weathers / drums, backing vocals

An excellent collection of rare Gentle Giant material spanning over their career, with stuff like unreleased songs and live tracks, demo's and out-takes and other stuff that should be of interest to any Gentle Giant fan. It's interesting to hear how they "constructed" the songs here (hence the title "Under Construction") and in total, you get nearly 150 minutes of GG rarities that is definetely worth the price you pay for it if you are interested to hear how this band constructed their songs and other rare material from them. Many songs here, notably the unreleased songs from their debut LP days, Have excellent sound quality as well, Though Not always. Defenetely a must for fans! (Review by BJ1 from progarchives.com)

Link.:

http://rapidshare.com/files/255138884/GG1998UC_byJack.rar

Maria Swan Dailymotion

PETER GABRIEL - March 20

ZAFRETH HELLO FRIENDS, LES SALUDA Cesar Mendoza.

now I have great pleasure to review for you all the special concert PETER GABRIEL offered, accompanied by his backing band, the night of March 20 in Lima, more precisely, at the Monumental Stadium Concourse (district of Ate). This event was a tremendous occasion of great music, great visual displays, vigor and emotion put together in an atmosphere of communion between artist and audience. GABRIEL's aura itself is undeniable, and he knows use their own charisma and sensitivity as to create bridges with his audience, even though their own historical repertoire also has high levels of eclecticism and wit to captivate any public before it: the night of March 20 public Peru was able to verify empirically GABRIEL's reputation as a creator and performer was amply justified. In this business of building bridges with the respectable also helped his handling of texts in our language to explain the meanings of various songs, texts that he could read with acceptable fluency.

charge not only to sing his material, but also of keyboards in several parts of the concert, the hero of the night was accompanied by a sextet comprised of support Tony Levin (bass, stick, electric bass and vocals), David Rhodes (electric guitar, effects, percussion and vocals), Richard Evans (electric and acoustic guitars, mandolin, percussion and electric bagpipes), Melanie Gabriel (vocals, percussion and samplers), Angie Pollock (keyboards and vocals) and Ged Lynch (drums, percussion). Rhodes and Levin are longtime collaborators - Levin goes so far back in time as the debut album of the Master himself, and showing signs that it is an informed public, the respected Lima provided him with the most intense and long applause when introduce the band. It is also true that Gabriel can not your father's pride and artist before his daughter Melanie (who even took over lead vocals on the acoustic ballad "Mother of Violence 'forgotten gem" 2 "), presenting more than one occasion. But beyond the swift solvent of Levin and fineness of Rhodes, also include the firmness with which Pollock did his important work on the buttons and the plethora robustness Lynch generated from his seat behind the drums of your battery. Each component of the instrumental ensemble was at its proper place without fail to be noticed that the color of the code out to shine in both passages texturiales as the strongest.

Well, the atmosphere was served from the beginning, announced with a hint of "Passion" (that wonderful soundtrack that Gabriel came up to Martin Scorsese film "The Last Temptation of Christ") and then crimped with the synthesized sequence of 'Rhythm of the Heat'. It is a high-rise rescue return this piece to start a concert, his touch neurotic and earthy intensity give the impression that there is something mysterious that is left to hide for display in all its magic. The force of the climax of this song was duly followed by 'On the Air', pure polenta display where the exquisite and powerful are combined in a single sound source: Levin showcasing first doing a short bass solo with distorted sound. 'Intruder' heightened sense of anxiety and neurosis installed by the first two pieces: not as frantic but is certainly capable of motivating music lover with such genuine excitement as dark environments reflected on tribal rhythmic pattern set by the drummer. I did not expect the last line "I am intruder" was shouted in that way, but certainly GABRIEL achieved with this simple gesture round the idea. The excitement continues but this time in a password more friendly and catchy, 'Steam' brings some of the best in his role GABRIEL poppy, still as a lover of funk and R'n'B, and liking how you want to take his lighter side with precious ornaments. It is easy for many reviewers in this issue describe as' Sledgehammer not. 2 ' but personally I find a song better armed, since the work of the guitars and arrangements of metals have a higher dose of expressiveness. Following the album "Us", Gabriel went on to offer one of the more sentimental songs of the same - 'Blood of Eden', a song truly intimate GABRIEL archetypal post-"4", which was executed with nerve and taste. Special mentions go to the striking visual displays on these two songs.

rocker The Edge returns with two songs from "3": 'Games Without Frontiers' and 'No Self Control', both benefit from sound full furnished by the instrumental ensemble. In time, these issues embodied (along with 'Intruder' and 'Biko') marks the emergence of PETER GABRIEL Music, and now have particularly colorful frames that allow them to age well in the new millennium, 28 years after its first records. As noted earlier, Melanie Gabriel assumed the role of lead singer for 'Mother of Violence ", a song that was a moment of respite amid the relentless deployment of energy that was taking place. And what if it was not necessary this time of respite, as when the Master returned to the stage, it was the turn of 'Darkness'. This song again more neurotic tap potential of the event and just his scheme, where the passages are contrasted openly extroverted and introverted, he allowed to transmit the distress and anxiety inherent in the terror of the dark. The play of light arranged for this song was set to ambient millimeter of this song. 'The Tower That Ate People' energy level emphasized that the event had reached at that time, of course it is gem "Ovo" is less than the gray density of 'Darkness' and has strong roots in the pop-rock ethnic Gabriel has almost patented mid 80s. 'San Jacinto' ... good, 'San Jacinto' was the zenith of the night! As smooth integration between song, image and atmosphere was brutal, creating a living dream on stage that I was mesmerized to the point of almost making me believe I was dreaming about what I was seeing. The ensemble produced masterly crescendo content that forms the main body of the piece, with Gabriel who scored one of his best performances of the evening. The coda rounded the final with a magic idea: the audience reacted well to the play of light directed by Maestro.

'Down to Earth' and 'Solsbury Hill', each in its own way, brought some warmth to the subject: 'Down to Earth', so popular song from the movie "Wall-E", provided that pop-fusionesco candor in the rhythm of 6 / 4 that makes it infectious without further ado, 'Solsbury Hill' is already an anthem rural life and start again, a song that never gets old. 'Secret World' and 'Sledgehammer' shoulders were placed on the enthusiasm that 'Solsbury Hill' had on the public. 'Secret World' is a typical song of GABRIEL that was enshrined in the pop scene in the second half of the 80s and early-90s, this song carries a hopeful romance goes deep as a manifestation GABRIEL special sound. Just the raucous and flagship 'Sledgehammer' was the piece that started climbing the ladder of fame, and was received by the public as all hit it deserves: the humming of the initial harmonies of metals to the beat of Levin and Lynch predicted a new party when the respectable. But there were more moments of emotional intensity in reserve: 'Signal to Noise' embodies a peak of spiritual upheaval in "Up", and did so in his appearance in the repertoire of the night. Through the simple harmonic scheme supplementing the compositional scheme of 'Signal to Noise', the biggest punch of the piece is in the dense atmospheres that develop in the way between celebratory and nostalgic. The spirit of the late great Pakistani singer Nusrat Fateh Ali Khan was revived through the use of sampling, mixed with singing Melanie painstaking (though certainly not his best night, because she was easily surpassed by the immortal song Nusrat). The leak-out of each member of the ensemble as they approached the conclusion of the subject was an announcement that the order was being felt in the air, after 2-hour concert - the first real attempt at farewell comes with this beautiful romantic song is 'In Your Eyes', a song of redemption and surrender love. This song has enough "personality" as input to bewitch the rhythmic cadence so typically African-American and those basic chords of piano. The brief keyboard solo by Pollock was spectacular, bringing salt to the extent improvised. Following the warm climates of 'So', 'Red Rain', another classic staple in GABRIEL, continued to provide in this atmosphere of farewell a reason to continue to enjoy with these infectious rhythms and textures such enclosures as well given to convey melancholy in a climate very cool. After the departure of rigor (included with the septet joke making the bow back to the public) Gabriel returned to Levin (on bass) to play the intimate 'Father, Son', perhaps the most immediately vulnerable moment of the night. Once this look into the interior area of \u200b\u200bfamily love, the whole group returned to the stage for a final look GABRIEL address to the global environment. 'Biko', emblematic of the best rock song committed, closed the evening with a well-run splendor: the colors of the electric bagpipes and percussion scheme erected the lofty global architecture of the piece, while the public strongly accompanied the Master in his song . Given that Peru is a country particularly sensitive to human rights issues, institutional instability, terrorism and abuse of power, 'Biko' is a song that lends a lot to be significant beyond the specific issue in South Africa.

The repertoire of the concert was as follows .-
1) Rhythm of the Heat

2) On the Air

3) Intruder

4) Steam

5) Blood of Eden

6) Games Without Frontiers

7) No Self Control

8) Mother of Violence

9)

Darkness 10) The Tower That Ate People

11) San Jacinto

12) Down to Earth

13) Solsbury Hill

14) Secret World

15) Sledgehammer

16) Signal to Noise

17) In Your Eyes

18) Red Rain

19) Father, Son

20) Biko

Well, anecdotal notes I note the group's performance opening act THE BLACK SWAN EFFECT, submitted by Gabriel himself before his own performance. It was a very striking nor very original, framed in the wave patently "Indie" and without taking too much risk in their well-defined parameters, ... better leave it there. Following

PETER GABRIEL, note that he made some variations in the portfolio during South American tour, for example, 'Father, Son' was not executed in Caracas but was introduced in Lima, in Argentina, Gabriel added 'Big Time' , in Chile, Gabriel enjoyed the musical support from the assembly Inti Illimani to interpret 'Wallflower' . It was good to see PETER GABRIEL, one of my top musical heroes, so close to his sixties and in such good shape, both creatively as a performer. This repertoire that includes many items on their first four albums (decreasing presence for their tour of "Us" and "Up") took some nostalgia, but more of revitalization. Fue uno de los mejores espectáculos musicales jamás dados en el ambiente limeño.

Me despido con los siguientes tubitos tomados de este evento que acabo de reseñar.-

Steam: http://www.youtube.com/watch?v=VoICWjhW-yA

Solsbury Hill: http://www.youtube.com/watch?v=S1cgijlf7xM

Sledgehammer: http://www.youtube.com/watch?v=bUXkIu5LLMM

In Your Eyes: http://www.youtube.com/watch?v=nTErXgE5rE4

Red Rain: http://www.youtube.com/watch?v=vIafpYi1IBM

Biko: http://www.youtube.com/watch?v=vwZ2dgeLiXY

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Remodeling Soon Zafreth

Friends of the blog, I have the pleasure to announce the next reshuffle blog.

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Now each blog entry will appear the disc with a review written by me in English and English .

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I will delete all albums with no reviews is to be found in other magnificent blogs.

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Stay tuned and thank you very much for listening and reading.

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Friends of the Zafreth blog i have the pleasure to announce you the reborn of this blog.

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From now on each post will be the album and a review of english and spanish.

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I´m going to eliminate all the previous entrances that have no review, i´m sure that you can find in other stupendous blogs those discs.

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Please be aware and thank you for your kindness

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All the Best.

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Zafreth Muñoz.