ZAFRETH HELLO FRIENDS, LES SALUDA Cesar Mendoza.
maudlin of the Well, and is called a progressive American avant-garde ensemble, in fact, is one of many projects run by the multi-instrumentalist (primarily guitar) Toby Driver. Having managed a precious work within KAYO DOT last year with "Blue Lambency Downward", now part of maudlin of the Well quintet gives us "Part the Second" in order to provide an airy and colorful artistic excellence to rock 2009. As the group likes to lowercase the initial letter of the first word is sometimes used to describe the diminutive mofW this assembly in question. The sound spectrum of this nuclear group aims to always maintain high doses of delicacy, not really tending magnificent trappings and pomposity patents but rather ingenious textures and moods of autumn cut, almost phonographic surreal.Con a career that began in 1996 and after passing product of disbanding a hiatus occurred in 2003, "Part the Second" is the fourth official album of the group (which has also released several demos before), and can be downloaded directly from the website of MOTW in various formats - for more details please consult link http://www.maudlinofthewell.net/downloads.html
'Excerpt from 6, 000, 000, 000, 000 Miles Before the First (Revisitation of the Blue Ghost) 'opens the album with almost 11 minutes of ethereal delight where the dull light of early evening and the mist final evening preceding the alternate latent and / or combined in a totally fluid. The intimate atmosphere is duly reinforced by the string arrangements and beautiful acoustic guitar solo, thus making stern whisper song that emerges in several passages. At the fifth minute and a half, the instrumentalists are enshrined in a well-sustained crescendo climax which does not last long, really, but that opens the door to retake the central motif with an extra touch of lysergic psychedelia, much to the "indie ". 'Another Excerpt - Keep Light Near You, Even When Dying' begins as a distant dream conjured led by the baritone violin architecture and synthesized music box, before the arrival of the battery make the entire assembly provides a rate-jazz rock for the development of a majestic occasion, almost symphonic. The guitar solo is powerful, getting to show off properly before the emergence of an alternating basis syncopated and more constrained. The coda is in a display of mystical melancholy. 'Turning to Rose Quartz Glass' sounds like a combination of chamber-rock and fusion, cleverly exploiting the softer side of the river despite being only a guest, Mia Mtsumiya lavish so much in their statements to the violin. The final parts are focused on a display not too complex but strikingly nimble progressive rock modern vibration powered. Although it might not seem obvious at first, the next topic 'Clover Garland Island' applies enough space to keep the momentum inherited from the previous issue. The presence of an interlude based on guitar chords Spartans and strings floating space provides an important introspective before they enter the battery to enhance things for a while, but the core remains conclusive solid piece of nostalgia. Finally, the last 11 minutes and peak of the album is occupied by 'Laboratories of the Invisible World' theme easily designable as the pinnacle doubt. Beginning in slow rhythmic parameters, the piece does not take long to expand in a shift towards explicit atmospheres and rhythmic developments versatile. Bombastic density manages to express a kind of mystical anger, it feels as cosmic as robust. The coda is resolved by way of a Mogwai Tortoise or locked in a soundtrack for a David Lynch film, but certainly it shows that we are enjoying the style of MOTW. The beautiful piano passages that culminate this track and the album, we hear a pristine aura of distinction.
Play "Part the Second" is a highly recommendable experience for any discerning music lover, and especially for any progressive music lover obsessive as this writer. Maudlin of the Well is a band to discover, if he has not done that yet.
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