ZAFRETH HELLO FRIENDS, LES SALUDA Cesar Mendoza.
now to be ending in July, back to this blog to talk about "Concert For Evocation Sonora Ensemble, Senogul second play phonograph, English band that embodies one of the strongest progressive proposals contemporary. After giving their debut self-titled 2007, a catalog of exquisite eclectic where lived the symphonic, fusion and psychedelia, "Concierto De Sonora Ensemble Evocation" emerges in 2009 as a delight of magnificent scale, a disc carrier peculiar magic where the group looks both perceptual lucidity sonic deepest roots as its architectural wisdom on the musical articulation.
The fact that the quintet has enjoyed an enormous amount of staff and has not followed a common structural pattern in all matters of repertoire used to finalize the trip rich sound that the group had planned for this second album. World-music elements, fusion and ambient are the most recurrent in this masterly evocation exercise sound envelopes are shown praying, now become suggestive, sometimes indulges in resources and surreal dreamscapes. 'Itamaracá' opens the album with a warm candor supported on accordion and baritone sax, even though a reprise of the same subject with accordion solo will close. In the meantime, we find great multicolored displays. There are issues of predominantly percussive mood in which questions are explored ritualistic and celebratory, as in 'Seven Moons (The Song of Wanderer) 'and' Terra-Terreiro '. We also have a theme like 'Swaranjali (Sangama Mantra)', the prologue and epilogue are focused on a plea of \u200b\u200bzither, while much of its central body is occupied by a slow psychedelic motif in which a subtle guitar provide an effective crimsonianas gray air density, nothing shocking. 'De Nooijer' begins with an ethereal atmosphere, which conveys a melancholy space finally lands in a calm and enveloping symphonic climax. 'Vigil in a permanent state' and 'Lughnassad' are practically pure embodiments of the dreamy, soft and mysterious levity flow of human thinking in the service of sound, cutting-edge musical resources as cloth prepared sheets that envelop our minds that we call limbo inscrutable world.
"Concierto De Sonora Ensemble Evocation" is a beautiful and mysterious album, a sonic exhibition against which the words are vain, and that includes the same review he writes a server. Anyway, I hope at best be called a little attention from readers in order to express my total appreciation for Senogul and his work. Strongly recommended!
now to be ending in July, back to this blog to talk about "Concert For Evocation Sonora Ensemble, Senogul second play phonograph, English band that embodies one of the strongest progressive proposals contemporary. After giving their debut self-titled 2007, a catalog of exquisite eclectic where lived the symphonic, fusion and psychedelia, "Concierto De Sonora Ensemble Evocation" emerges in 2009 as a delight of magnificent scale, a disc carrier peculiar magic where the group looks both perceptual lucidity sonic deepest roots as its architectural wisdom on the musical articulation.
The fact that the quintet has enjoyed an enormous amount of staff and has not followed a common structural pattern in all matters of repertoire used to finalize the trip rich sound that the group had planned for this second album. World-music elements, fusion and ambient are the most recurrent in this masterly evocation exercise sound envelopes are shown praying, now become suggestive, sometimes indulges in resources and surreal dreamscapes. 'Itamaracá' opens the album with a warm candor supported on accordion and baritone sax, even though a reprise of the same subject with accordion solo will close. In the meantime, we find great multicolored displays. There are issues of predominantly percussive mood in which questions are explored ritualistic and celebratory, as in 'Seven Moons (The Song of Wanderer) 'and' Terra-Terreiro '. We also have a theme like 'Swaranjali (Sangama Mantra)', the prologue and epilogue are focused on a plea of \u200b\u200bzither, while much of its central body is occupied by a slow psychedelic motif in which a subtle guitar provide an effective crimsonianas gray air density, nothing shocking. 'De Nooijer' begins with an ethereal atmosphere, which conveys a melancholy space finally lands in a calm and enveloping symphonic climax. 'Vigil in a permanent state' and 'Lughnassad' are practically pure embodiments of the dreamy, soft and mysterious levity flow of human thinking in the service of sound, cutting-edge musical resources as cloth prepared sheets that envelop our minds that we call limbo inscrutable world.
"Concierto De Sonora Ensemble Evocation" is a beautiful and mysterious album, a sonic exhibition against which the words are vain, and that includes the same review he writes a server. Anyway, I hope at best be called a little attention from readers in order to express my total appreciation for Senogul and his work. Strongly recommended!
